An 18th Century Italian Painting of St. John the Baptist mounted in a carved giltwood Frame

An 18th Century Portrait of an Italian Country Woman mounted in an intricately carved giltwood frame

A Pair of 19th Century Italian Rococo Carved Wood Polychrome and Parcel-Gilt Pedestals, the round top above scrolled capitals raised on a carved grape and foliate column all above a round base ending in scroll feet

A Fine 19th Century French Statue of a Dancer on a Round Pedestal Carved of Bleached Pine

A 19th Century Italian Cremo Delicato Marble Sculpture of the Madonna, representing the triumph of Christianity over pagan religions, with Mary standing above a crescent moon and crushing the serpent’s head with her foot, the moon representing the pagan Moon Goddess, and the serpent representing sin, temptation, and Satan, all raised on a Siena and Bardiglio Nuvolato Apuano marble base

An Ancient Cast Iron Temple Trough, with cast floral and foliate motif with four ring handles all raised on shaped cast feet

A Pair of Italian Neoclassical Polychrome and Parcel-Gilt Urns, the flame finial surmounts the round form which is draped in laurel swags with ring handles all raised on a square base

A Pair of 19th Century Italian Ebonized Pedestals, rotating top above an octagonal column all raised on a moulded plinth

A Fine Pair of Early 17th Century Tuscan Gilt Columns with Stop Fluted Carving on Round Bases

A Large Scale Italian Olive Oil Earthenware Amphora, with spigot and uneven ochre glaze

An Italian Olive Oil Jar, in urn form with two handles in ochre glaze with spigot

A Richly Carved 18th Century Marble Architectural Fragment, featuring two neoclassical figures with one playing a lyre, and the other with peacock quills and books

An 18th Century Italian Parcel-Polychrome Statue

A Black Marble and Bronze Clock with brass dial with black painted arabic numerals surmounted with eagle and snake and floral garland raised on a stepped front plinth ending with a gilt border

A 19th Century English Regency Pagoda Shaped Tortoiseshell Inlaid Tea Caddy, of faceted rectangular form, the facets highlighted with silver stringing and the interior fitted with two lidded compartments, one for black tea and one for green, all raised on bone bun feet

An Italian 16th Century Baluster-Form Lidded White Porcelain Apothecary Jar with gargoyle-shaped handles above a lion’s mask detail, inscribed in Latin: Lemon Extract

A 19th Century Carved Stone Head of Buddha, most liklely from Burma, now raised on a later green faux marble base

A 19th Century Italian Marble Bust of Socrates, a Greek philosopher of Athens (c. 470-399)

An 18th Century Italian Oil on Canvas, Scenes of a Gathering Among Architectural Ruins, within a giltwood frame

A 19th Century English Regency Tortoiseshell Tea Caddy, the pagoda top above a rectangular serpentine-form with silver stringing, the interior fitted with two compartments all raise on bone bun feet

A Chinese Black Lacquered and Gilt-Chinoiserie Box, the rectangular shape embellished with chinoiserie on a black lacquer ground raised on brass animal paw feet

A Set of Three Scrolled Wrought-Iron Italian Book Ledgers, available individually (1551-M00511)

A Fine 18th Century Italian Oil on Canvas, a capriccio of an ancient architectural site

An 18th Century Dutch Burl-Walnut Long Case Clock, the concave moulded caddy-top with three gilt-wood figural finials above a frieze with sound frets, sides and caddy and the paneled trunk door with a glazed lenticle and gilt-metal mounts raised on rectangular canted case, terminating on ebonized bun feet, the movements by William van Dadelbeek – the dial surmounted by a pierced engraved panel inscribed W van Dadelbeek

An 18th Century Dutch Mahogany Long Case Clock, the movements by Gerrit Bramer, Amsterdam, the stepped moulded caddy-top with three later figural finials above a brass dial with Roman and Arabic numerals inscribed Gert, the hood flanked by turned columns with gilt-metal capitals, above the arched paneled trunk door with a circular lenticle raised on a rectangular plinth ending on bun feet

A Fine 18th Century French Louis XVI Walnut Regulateur, the arched hood with outstepped rounded cornice above a shaped glazed door, the enameled dial with Roman and Arabic numerals with a gilt-brass sunburst and rooster crest above an unusual cello case with paneled door on a scalloped base

A Fine 19th Century English Regency Tortoiseshell Tea Caddy, rectangular shaped form with canted corners, the interior fitted with two lidded compartments accented with silver and bone banding and raised on flattened bun feet

A 19th Century Italian Lithograph: Bust of Augustus Caesar, mounted in a giltwood frame

A Pair of 19th Century Italian Empire Style Gilt-Bronze Table Centerpieces, three robed female figures holding aloft a cut crystal bowl, all raised on a circular base, centered with an acorn finial and terminating in six lion’s paw feet

A Magnificent English George II Black Lacquered Chinoiserie Bracket Clock, dating to 1740, the hood centering with a brass handle and four brass finials above a hinged door opening to a brass dial with scrollwork, inscribed George Clarke – London, all raised on bracket feet; Clarke clocks such as this piece are featured in museum and important private collections worldwide, including the Victoria & Albert as well as in the Old City of London Goldsmith Hall

An Italian 19th Century Neoclassical Patinated and Gilt-Bronze Clock depicting Aristotle on a leaf-case base

A 19th Century French Empire Patinated and Gilt-Bronze Clock, surmounted by gilt-bronze acanthus and berry garland the white enamel face with Roman and Arabic numerals inscribed: HY Dasson – raised by a patinated draped and kneeling figure of a child above a gilt-bronze, rouge royale circular pedestal ending in case-leaf base