A Pair of 19th Century English Brass Andirons

A Handsome Pair of 19th Century Louis XVI Gilt-bronze Andirons with guilloche and lambrequin motifs, acorn finials and tapering fluted legs headed with rosettes

A 19th Century Italian Giltwood Wall Sconce with a shell motif, fitted with marble top

A Pair of Italian Louis XIV Style Rouge and White Marble Urns with gilt bronze ormolu mounts

A Fine 19th Century Oil on Canvas, alpine landscape, signed F. Shafer

A 19th Century American Oil on Canvas, scenes of a western landscape
Signed: S. Frederick Jared

An 18th Century Italian Four Panel Painted Screen with scenes of villages, landscapes and a castle

A Fine 19th Century English Brass Telescope raised on a steel tripod base

A Regal Pair of 19th Century Gilded Stoneware Lions resting on rectangular plinths

A Pair of 19th Century Continental Gilt-Bronze and Siena Marble Tazze with handles cast as rosettes, above an acanthus-cast socle on a Siena marble pedestal, raised on an anthemion-cast plinth

A Pair of 19th Century Peach-Colored Italian Marble Urns on a square plinth

A 19th Century Parcel-Gilt and Ebonized Neoclassical Jardinière, the top supported by three female figural ending in a hoof-footed leg raised on a triangular plinth of slightly different size

One of Twenty-One 18th Century Lithographs of Various Figural Sculptures, sold separately

“Lazy Day” 19th Century Oil on Canvas by American Impressionist Thomas Bartholomew Griffin, b. 1858, d. 1918, and exhibited in the National Gallery Addl details: Thomas B. Griffin American, 19th Century. Thomas B. Griffin was born in Philadelphia, Pennsylvania during the last half of the nineteenth century. His first formal art education was at the National Academy of Design in New York. While at the Academy, Griffin exhibited his very well executed impressionistic landscapes. In 1896, he listed his address as 340 Fulton Street, Brooklyn, New York. It was during this year that Griffin exhibited “Views from the Catskills (from Haine’s Corners)” and “Hunter Mountain, Catskills,” at the National Academy. Thomas B. Griffin later moved to Baltimore where he opened a studio and established himself as a painter of impressionistic landscapes. Listed: The Dictionary of American Artists, Sculptors and Engravers, by Young Exhibition of the National Academy, 1861-1900, vol.1, pg. 367 Who was Who in American Art Mantle Fielding

A Set of Five 19th Century Persian Kilim Pillows

A 19th Century English Set of Nine Blue and Green Decorated Dishes in a Mintons pattern

An Impressive 19th Century Chinese Porcelain Plate with orange decorations

A Splendid Pair of 19th Century Italian Carved Winged Silver Gilt Putti Architectural Appliqués

An 18th Century Italian Carved Wood Female Crèche Figure with original polychrome finish

A Fine 19th Century Crucifix on a tortoiseshell and ebonized base

A 19th Century English Step Stool with two concealed storage compartments and later red leather and gold embossed insets raised on toupie feet